Volume 22 No 22 September 2002

Interiors: Lighting Technology Brighten
By N.S. Raju

Have you driven one of the new cars that have the marvelous headlight patterns? They illuminate the left side of your lane brightly, out a short distance. They cut off sharply, to avoid blinding the oncoming driver, then fan out to illuminate the shoulder of the road.
This wows my husband, who always comments, "I love these headlights!"
Well, I love to be "wowed" when I enter a beautifully lighted room.
First, I just enjoy the effect. Then I look to see the source for each light and see exactly how the scene was created. Are paintings lighted from framing projectors, wall washes or with lighting from beneath? Am I unaware of the light falling from the ceiling to just the right places? I check to see whether a new technique or fixture is being used.
Have you seen the beautiful white, clear light emitted by the MR 16 low-voltage lamps? These have opened a new palette for Oklahomans who love the outdoor light that the lights duplicate.
We now have fluorescent lamps that can almost duplicate natural daylight without the old, cold (blue) or warm (pink) fluorescent colors. Fluorescent fixtures have electronic ballasts that allow them to be dimmed at a reasonable price.
 

We now have light switches with motion detectors in them for less than $25. They can be retrofitted for older homes. No more having to send someone back to turn off the light.
One of the best things that came from our energy crunch a few years ago was the technology for lamps (light bulbs) that offered great lighting advances. Many of these lamps had been available, but fixture manufacturers were slow in designing light fixtures to accommodate them.
That was due to the higher price of the lamp itself and the low price of electricity. The bulbs cost $10 to $20. But they usually are rated to last 2,000 hours or more and use fewer kilowatts of electricity. That saves money and energy in the long run.
Lighting has always been one of the best design elements for a project, although it is frequently overlooked.
Lighting design is more than placing a ceiling fixture or downlights in each room and finishing with the necessary table lamps to fill in the needed light.
Lighting should be designed and developed with the furniture placement plan. Just as you develop a color scheme for the furniture and fabrics, a lighting plan can enhance the colors of a fabric, piece of furniture or wall space.
Homeowners are usually more interested in the decorative fixtures themselves than the type of lamps (bulbs) or beam spreads they create. Since figuring foot- candles, kilowatt usage, beam spread, etc., can be very technical, a good lighting designer can be worth the fee.
Sculpture Adds Depth..
By Rosemary Sadez

Putting art on walls is a common solution to the accessorizing aspect of interior design.
Artworks complete our walls, with beauty and color complementing the rest of the decor. But if a feeling of motion is desired, something that adds more than a flat portrait -- a sculpture -- is the answer. The sculpture's three-dimensional form adds zest, movement and liveliness to a room.
Sculpture has a life of its own. Like a piece of furniture, it is freestanding. Its front, sides and back are visible. It adds dimension within the room. Unlike furniture, you can't sit on it. A drink cannot be placed on it. It is not usable. Sculpture has a purpose of its own; it interacts with the room and the room's inhabitants. But for sculpture to emancipate itself from other ordinary accessories, it needs to have a special place in the room -- a special backdrop, a pedestal or table, or a designated place on the floor where it can breathe and be admired.
A room that is rather neutral can be transformed into one of interest with the right sculpture. The geometry, color and texture of the sculpture add the missing elements. Often, though, several pieces that are complementary are better than one. Sculptures combined with other accessories are always good.
For example, an abstract, sculptured stone sitting atop a short pile of books with a vase holding flowers nearby will complement each other and the entire room. Another example: A lamp, a bowl (empty, or with fruit or potpourri) and the right sculpture will work wonders for a room. A series of three or five items is always better that two or four.
For some reason, odd numbers tend to create more interest than even ones when working with accessories. If a space such as a cocktail table needs more than three items, try this: three candleholders, a wooden turtle and a cocktail table book. Those five pieces or similar ones should do the trick.

 


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